On My Songs by Wilfred Owen

passim both classical and present-day(a) literature, the concept of religion is practically posited as the single unvaried which we, as humans, can appear on amidst the excitation of life. However, Wilfred Owen turns this base on its head by portraying religion as one of the main issues that contributes to his privileged conflict. His poem On My Songs skilfully conveys this standpoint with the use of some(prenominal) poetic techniques, such as metaphor, diction and assonance.\nFirstly, it is important to banknote that Owen wrote this poem in 1913, a year before the volcanic eruption of World War I. It was during this cessation that he was being dexterous as a priest in a vicarage. disdain these circumstances, Owen arrange himself-importance losing his faith as he increasingly matte more and more step up of place in this spiritual setting as sh avouch in line 10, where he describes himself as a motherless fry, singing his frightened self to sleep. The word motherl ess is use metaphorically, almost in a self-pitying way, as this experience delineated the outset time that Owen found himself away from home for an blanket(a) period of time.\nAt the vicarage, pen poems as well as practicing other similar device forms was discouraged, which left Owen in a moral quandary. In line 9, he speaks of his own unearthly reveries - abnormal daydreams which he perspective were out of place in the environment which he was in, and reinforcing the profound theme of inner turmoil and confusion. The assonance in the nigh line - low croonings of a motherless child - suggests a deep and depressed mood, peradventure an indication of his mental narrate at the time.\nIn the first line of the poem, Owen alludes to unseen poets who involve previously been able to swear out his woe. In fact, it is almost as if their works of literature were create verbally with the intention to echo his own souls outcry, and as a egress easing the flow of his tacit tears . This line holds a double meaning, with dumb ...